Caterina$97391$ - translation to ολλανδικά
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Caterina$97391$ - translation to ολλανδικά

LADY OF IMOLA AND COUNTESS OF FORLÌ (1463-1509)
Caterina Sforzia; Caterina Sforza Riario
  • Cosimo I de' Medici.
  • Portrait of Giacomo Feo (the tallest man standing on the right), Melozzo da Forlì
  • Riario Coat of Arms
  • Coat of Arms of Giacomo Feo, Baron of France
  • Portrait of Giovanni delle Bande Nere by Gian Paolo Pace
  • Count Girolamo Riario
  • Giovanni il Popolano

Caterina      
n. Katarina (voornaam)
Leonardo da Vinci         
  • 230x230px
  • fighting vehicle]]
  • Pacioli's]] ''[[Divina proportione]]'' (1509)
  • alt=
  • alt=Photo of a building of rough stone with small windows, surrounded by olive trees
  • lk=no}}. British Museum, London
  • group=d}} [[Czartoryski Museum]], [[Kraków]], Poland
  • lk=no}})
  • group=d}} [[Uffizi]], is thought to be Leonardo's earliest extant and complete major work.
  • group=d}} [[Louvre]] version
  • Vatican]]
  • p=151}}
  • group=d}} [[Uffizi]], Florence
  • lk=no}})
  • oclc=500794484}}</ref>
  • lk=no}}), Royal Library, [[Windsor Castle]]
  • 1499–1508}}, [[National Gallery]], London
  • Royal Library]] of [[Turin]], Italy
  • group=d}} [[Louvre]], Paris
  • left
  • left
  • 1492–1498}})
  • lk=no}}) attributed to [[Francesco Melzi]]
  • Tomb in the chapel of Saint Hubert at the [[Château d'Amboise]] where a plaque describes it as the presumed site of Leonardo's remains
ITALIAN RENAISSANCE POLYMATH (1452−1519)
Leonardo de Vinci; Leonardo DaVinci; Leonardo Da Vinci; Da Vinci; Davinci; DaVinci; Leonardo Davinchi; Leonardo Davinci; Leonardo di ser Piero da Vinci; Leonardo da vinci; Leonardo daVinci; Leonardo di Ser Piero da Vinci; Vinci, Leonardo di Ser Piero da; Da vinci; Leonardo da Vinci's workshop; Leonard da Vinci; Leonardo da Vinchi; The Great Leonardo; Léonard de Vinci; Leonard de Vinci; L. Da Vinci; Leanardo da vinci; Leonardo Da Vinchi; Leonardo De Vinci; Leonardo Di Vinci; Léonardo Da Vinci; Leo da vinci; Caterina Buti del Vacca; Leonardo da Vinci Notebooks; Da Vincian; Leonardo Abince
n. Leonardo Da Vinci (schilder,beeldhouwer,ingenieur,uitvinder,natuurfilosoof uit de renaissanse tijd,schilder van het "Laatste Avondmaal")
da Vinci         
  • 230x230px
  • fighting vehicle]]
  • Pacioli's]] ''[[Divina proportione]]'' (1509)
  • alt=
  • alt=Photo of a building of rough stone with small windows, surrounded by olive trees
  • lk=no}}. British Museum, London
  • group=d}} [[Czartoryski Museum]], [[Kraków]], Poland
  • lk=no}})
  • group=d}} [[Uffizi]], is thought to be Leonardo's earliest extant and complete major work.
  • group=d}} [[Louvre]] version
  • Vatican]]
  • p=151}}
  • group=d}} [[Uffizi]], Florence
  • lk=no}})
  • oclc=500794484}}</ref>
  • lk=no}}), Royal Library, [[Windsor Castle]]
  • 1499–1508}}, [[National Gallery]], London
  • Royal Library]] of [[Turin]], Italy
  • group=d}} [[Louvre]], Paris
  • left
  • left
  • 1492–1498}})
  • lk=no}}) attributed to [[Francesco Melzi]]
  • Tomb in the chapel of Saint Hubert at the [[Château d'Amboise]] where a plaque describes it as the presumed site of Leonardo's remains
ITALIAN RENAISSANCE POLYMATH (1452−1519)
Leonardo de Vinci; Leonardo DaVinci; Leonardo Da Vinci; Da Vinci; Davinci; DaVinci; Leonardo Davinchi; Leonardo Davinci; Leonardo di ser Piero da Vinci; Leonardo da vinci; Leonardo daVinci; Leonardo di Ser Piero da Vinci; Vinci, Leonardo di Ser Piero da; Da vinci; Leonardo da Vinci's workshop; Leonard da Vinci; Leonardo da Vinchi; The Great Leonardo; Léonard de Vinci; Leonard de Vinci; L. Da Vinci; Leanardo da vinci; Leonardo Da Vinchi; Leonardo De Vinci; Leonardo Di Vinci; Léonardo Da Vinci; Leo da vinci; Caterina Buti del Vacca; Leonardo da Vinci Notebooks; Da Vincian; Leonardo Abince
da Vinci (beeldhouwer,schilder,uitvinder,wetenschapper uit het renaisans tijdperk,heeft de Mona Liza geschilderd en Het Laatste Avondmaal)

Βικιπαίδεια

Caterina Sforza

Caterina Sforza (1463 – 28 May 1509) was an Italian noblewoman, the Countess of Forlì and Lady of Imola, firstly with her husband Girolamo Riario, and after his death as a regent of her son Ottaviano. Caterina was a noblewoman who lived a life maintaining her responsibilities with her family and power as a ruler in the courts. Her status and image was shaped by the masculine and feminine roles she took on throughout her lifetime as a ruler, wife, widow, and mother, in addition to the cultural activities she participated in during Renaissance Italy.

The descendant of a dynasty of noted condottieri, from an early age, Caterina distinguished herself through her bold and impetuous actions taken to safeguard her possessions from possible usurpers and to defend her dominions from attack, when they were involved in political intrigues. In her private life, Caterina was devoted to various activities, including experiments in alchemy and a love of hunting, dancing, and horse riding. She was educated and engaged in religious rituals and matters, commissioned works of art, a fashion icon, and was a collector of many jewels and clothing. In addition, she undertook urban, residential, and military architectural projects.

While her role as a ruler was considered to be masculine, Caterina had series of portrait medals that embodied her diplomatic skills and political power as a successful regent. At the time, portrait medals were important among the noble society and could be distributed and exchanged as a way to communicate self-presentation, characteristic, and accomplishments of that person. Caterina's first medal represented her beauty, womanly virtue, and conformity to the female role as a noble wife and mother. When Girolamo died, Caterina's next medal represented loyalty and protection of her family with her new position as a chaste widow. While it was feminine, it was also clearly masculine because it represented her additional powerful position as a regent.

She had many children, but only the youngest, Captain Giovanni delle Bande Nere, inherited his mother's forceful, militant personality. Caterina's resistance to Cesare Borgia meant she had to face his fury and imprisonment. After she gained her freedom in Rome, she then went on to lead a quiet life in Florence. In the final years of her life, she confided to a monk: "Se io potessi scrivere tutto, farei stupire il mondo" ("If I could write everything that happened, I would shock the world").